Explain that this was a uni degree show for GD final year. Industry professionals, celebrate with friends and family. Great to see everyone. Gave out buisiness cards.
Most people in the UK know very little about their family history, with two-thirds not knowing anything about their grandparents.
Cwtch (pronounced kuch) is a game that aims to make it easier to bring families closer and help them learn about their histories. Players are encouraged to interact by talking, drawing, performing, or acting out their stories, and they can hold onto their memories by writing, scrapbooking, and storing treasures in the journal.
Hellmann’s existing market doesn’t resonate with people under 40. How can they increase their relevance with younger audiences without alienating the existing core market?
Millennials and Generation Z aren’t nearly as interested in mayonnaise, and 25% of people dislike it completely. With so many different brands failing to deliver the perfect condiment, this has deprived younger people of the real thing and resulted in the rise of mayophobia.
This campaign aims to help cure people by collaborating with influencers spread across various ages and interests. They’ll utilise exposure and hypnotherapy, which are traditional healing techniques used to get people over phobias.
This impact strives to prove that people only think they’re mayophobic because they’ve never had the world’s greatest number one, thus depriving themselves of Hellmann’s deliciousness.
The overturning of Roe v. Wade had a massive impact on the U.S. and still does today. However, it isn’t widely known who on the Supreme Court voted for whom or whether people agreed with their decision.
The article questions why a ruling that affects over 341.5 million people was only made by nine, and puts in perspective the biases of the Supreme Court at the time and how they were intentionally put together for this decision.
Our world leaders are failing us. COP is the decision-making body that is supposed to review and implement emission inventories submitted by Parties to reverse the effects of climate change.
However, during the most recent COP, world leaders were called out by various news platforms that they aren’t doing enough to tackle the job. The UN’s climate chief, Simon Stiell, told the conference, “Ministers who have just arrived need to roll up their sleeves and dive into the hardest issues. Bluffing, brinksmanship, and premeditated playbooks are burning up precious time. So let’s cut the theatrics and get down to the real business this week.”
COP isn’t going to solve all our problems, so this campaign aims to pull back the curtain and reveal the reality of this performance. It unveils a new theatre production meant to mock COP’s inaction. With a sense of urgency, it spotlights their blindness and obliviousness, proving that they live in a fantasy world of their own making.